Commodification of Humanitarian Love, Faith, 
and Hope: The Evolution of Corita Kent

Author: Mackenzie Catherine Patureau

Affiliation: University of Texas, Austin

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Abstract:​​​​

 

This thesis examines the evolution of Corita Kent's artistic oeuvre, highlighting her consistent themes of humanitarian love, faith, and hope. Initially recognized as a religious illustrator, Corita's work transitioned into potent social and political commentary as she innovatively incorporated text and imagery from commercial branding. This commodification of her art raises questions about the intersection of artistic intent and monetary value, shifting discussions toward the commercial aspects of the art world. Coritat's later work, characterized by vibrant colors, bold text, and a blend of religious, poetic, and pop cultural references, reflects her commitment to activist messaging that engages broader audiences beyond Catholicism. Despite the commodification of her work, Corita's focus on social commentary and advocacy remained an impactful dissemination of her message. After her passing, the establishment of the Corita Art Center in Los Angeles, California, has helped preserve her legacy and promote her contributions to the Pop Art movement, affirming the timeless relevance of her art in the ongoing struggles for women's and civil rights.

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Keywords: Corita Kent, pop art, commodification of art, religious imagery, social activism​

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ISSN 3069-8200